Drawing inspiration from these ideas, the main visual language of the exhibition takes the form of universal renderings and stock images, which act as a symbol of constant transformation and movement towards the ideal and which, nevertheless, can be found in any international landscape — natural or digital.
The Idealised City is about how similar we are wherever we are. It questions authenticity, the boundaries between reality and fiction, the meaning of photography, and the function of images in the digital age. The exhibition consists of an outdoor installation, photographs, videos, paintings, and sculptural elements, combined to give the viewer an immersive gallery experience, expanding into a digital format through playful interactions within the Metaverse.
For the occasion, the artist developed a kaleidoscopic production with a variety of mediums, but keeping a focus on the contemporary landscape as a way to translate anthropologic processes, as he often operates.